Three kids sought out to have the most legendary Halloween night ever. Their Trick-or-treat adventure brings them to the home of the local town legend "Scary Mary". Legends say that she is a woman of pure evil, but one thing is for certain - She knows just the right spooky tales to give these three kids the scare of their life. Sharing six unique stories that will lead the children down a mysterious path to the unexpected.

This collection of three grisly and terrifying short films is definitely not for the squeamish. For those who enjoy hillbilly cannibals, over-the-top gore, and women who fantasize about being cannibalized, this is a fine choice. The first film, "Weekend in the City," is about a young woman.. Michael W. Johnson also directed a vampire movie called Blood Kiss

This collection of three grisly and terrifying short films is definitely not for the squeamish. For those who enjoy hillbilly cannibals, over-the-top gore, and women who fantasize about being cannibalized, this is a fine choice. The first film, "Weekend in the City," is about a young woman.. Michael W. Johnson also directed a vampire movie called Blood Kiss

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

Felipe and Claudio have a unique relationship. Somehow destiny pulls them apart and sets Felipe on a journey where he will risk everything in his pursuit of happiness.

A forty-year-old poet wakes up handcuffed to a hospital bed. Accused of his mother's murder, he claims it was an act of love: a plan to aid his mother's death and end his own life at the same time.

Stand-up comedian Kate thinks her life has no meaning and is not worth continuing. When she’s diagnosed with breast cancer, even the universe seems to agree with her. However, a close encounter with death – and four other women on the chemo ward – might just change her mind and even her life.

Nacho Nieto, a journalist specialising in paranormal activity, is at a professional and personal low. After a failed suicide attempt he comes back to life accompanied by the ghost of his mentor, doctor Estrada, iconic communicator of mystery, who died more than 20 years ago.